Requiem

    Robert Louis Stevenson (1850-1894)

    Under the wide and starry sky,
    Dig the grave and let me lie,
    Glad did I live and gladly die,
    And I laid me down with a will.

    This be the verse you grave for me:
    Here he lies where he longed to be,?
    Home is the sailor, home from sea,
    And the hunter home from the hill.

    The Voice

    Thomas Hardy (1840-1928)

    Woman much missed, how you call to me, call to me,
    Saying that now you are not as you were
    When you had changed from the one who was all to me,
    But as at first, when our day was fair.

    Can it be you that I hear? Let me view you, then,
    Standing as when I drew near to the town
    Where you would wait for me: yes, as I knew you then,
    Even to the original air-blue gown!

    Or is it only the breeze, in its listlessness
    Travelling across the wet mead to me here,
    You being ever dissolved to wan wistlessness,
    Heard no more again far or near?

    Thus I; faltering forward,
    Leaves around me falling,
    Wind oozing thin through the thorn from norward,
    And the woman calling.

    Edge

    by Sylvia Plath (1932-1963)

    The woman is perfected.
    Her dead

    Body wears the smile of accomplishment,
    The illusion of a Greek necessity

    Flows in the scrolls of her toga,
    Her bare

    Feet seem to be saying:
    We have come so far, it is over.

    Each dead child coiled, a white serpent,
    One at each little

    Pitcher of milk, now empty.
    She has folded

    Them back into her body as petals
    Of a rose close when the garden

    Stiffens and odors bleed
    From the sweet, deep throats of the night flower.

    The moon has nothing to be sad about,
    Staring from her hood of bone.

    She is used to this sort of thing.
    Her blacks crackle and drag.

    From, 'In Memoriam'

    Alfred Lord Tennyson (1809-1892)

    Old Yew, which graspest at the stones
    That name the under-lying dead,
    Thy fibres net the dreamless head,
    Thy roots are wrapt about the bones.

    The seasons bring the flower again,
    And bring the firstling to the flock;
    And in the dusk of thee, the clock
    Beats out the little lives of men.

    O not for thee the glow, the bloom,
    Who changest not in any gale,
    Nor branding summer suns avail
    To touch thy thousand years of gloom:

    And gazing on thee, sullen tree,
    Sick for thy stubborn hardihood,
    I seem to fail from out my blood
    And grow incorporate into thee.

    From, 'In Memoriam'

    Alfred Lord Tennyson (1809-1892)

    Dark house, by which once more I stand
    Here in the long unlovely street,
    Doors, where my heart was used to beat
    So quickly, waiting for a hand,

    A hand that can be clasp'd no more—
    Behold me, for I cannot sleep,
    And like a guilty thing I creep
    At earliest morning to the door.

    VII
    He is not here; but far away
    The noise of life begins again,
    And ghastly thro' the drizzling rain
    On the bald street breaks the blank day.

    From, 'In Memoriam'

    Alfred Lord Tennyson (1809-1892)

    Calm is the morn without a sound,
    Calm as to suit a calmer grief,
    And only thro' the faded leaf
    The chestnut pattering to the ground:

    Calm and deep peace on this high wold,
    And on these dews that drench the furze,
    And all the silvery gossamers
    That twinkle into green and gold:

    Calm and still light on yon great plain
    That sweeps with all its autumn bowers,
    And crowded farms and lessening towers,
    To mingle with the bounding main:

    Calm and deep peace in this wide air,
    These leaves that redden to the fall;
    And in my heart, if calm at all,
    If any calm, a calm despair:

    XI
    Calm on the seas, and silver sleep,
    And waves that sway themselves in rest,
    And dead calm in that noble breast
    Which heaves but with the heaving deep.

    From, 'In Memoriam'

    Alfred Lord Tennyson (1809-1892)

    CXV
    Now fades the last long streak of snow,
    Now burgeons every maze of quick
    About the flowering squares, and thick
    By ashen roots the violets blow.

    Now rings the woodland loud and long,
    The distance takes a lovelier hue,
    And drown'd in yonder living blue
    The lark becomes a sightless song.

    Now dance the lights on lawn and lea,
    The flocks are whiter down the vale,
    And milkier every milky sail
    On winding stream or distant sea;

    Where now the seamew pipes, or dives
    In yonder greening gleam, and fly
    The happy birds, that change their sky
    To build and brood; that live their lives

    From land to land; and in my breast
    Spring wakens too; and my regret
    Becomes an April violet,
    And buds and blossoms like the rest.

    Cold in the Earth

    Emily Bronte (1818-1848)

    Cold in the earth—and the deep snow piled above thee,
    Far, far removed, cold in the dreary grave!
    Have I forgot, my only Love, to love thee,
    Severed at last by Time's all-severing wave?

    Now, when alone, do my thoughts no longer hover
    Over the mountains, on that northern shore,
    Resting their wings where heath and fern-leaves cover
    Thy noble heart forever, ever more?

    Cold in the earth, and fifteen wild Decembers,
    From those brown hills, have melted into spring –
    Faithful, indeed, is the spirit that remembers
    After such years of change and suffering!

    Sweet Love of youth, forgive, if I forget thee,
    While the world's tide is bearing me along;
    Sterner desires and other hopes beset me,
    Hopes which obscure but cannot do thee wrong!

    No other Sun has lightened up my heaven,
    No second morn has ever shone for me:
    All my life's bliss from thy dear life was given –
    All my life's bliss is in the grave with thee.

    But, when the days of golden dreams had perished
    And even Despair was powerless to destroy,
    Then did I learn how existence could be cherished,
    Strengthened and fed without the aid of joy;

    Then did I check the tears of useless passion,
    Weaned my young soul from yearning after thine;
    Sternly denied its burning wish to hasten
    Down to that tomb already more than mine!

    And, even yet, I dare not let it languish,
    Dare not indulge in Memory's rapturous pain;
    Once drinking deep of that divinest anguish,
    How could I seek the empty world again?

    The Bourne

    Christina Rossetti (1830-1894)

    Underneath the growing grass,
    Underneath the living flowers,
    Deeper than the sound of showers:
    There we shall not count the hours
    By the shadows as they pass.

    Youth and health will be but vain,
    Beauty reckoned of no worth:
    There a very little girth
    Can hold round what once the earth
    Seemed too narrow to contain.

    They Lie at Rest

    Christina Rossetti (1830-1894)

    They lie at rest, our blessed dead;
    The dews drop cool above their head,
    They knew not when fleet summer fled.

    Together all, yet each alone;
    Each laid at rest beneath his own
    Smooth turf or white allotted stone.

    When shall our slumber sink so deep,
    And eyes that wept and eyes that weep
    Weep not in the sufficient sleep?

    God be with you, our great and small,
    Our loves, our best beloved of all,
    Our own beyond the salt sea-wall.

    Somewhere or Other

    Christina Rossetti (1830-1894)

    Somewhere or other there must surely be
    The face not seen, the voice not heard,
    The heart that not yet—never yet—ah me!
    Made answer to my word.

    Somewhere or other, may be near or far;
    Past land and sea, clean out of sight;
    Beyond the wandering moon, beyond the star
    That tracks her night by night.

    Somewhere or other, may be far or near;
    With just a wall, a hedge, between;
    With just the last leaves of the dying year
    Fallen on a turf grown green.

    Thoughts of Phena, at News of Her Death

    Thomas Hardy (1840-1928)

    Not a line of her writing have I,
    Not a thread of her hair,
    No mark of her late time as dame in her dwelling, whereby
    I may picture her there;
    And in vain do I urge my unsight
    To conceive my lost prize
    At her close, whom I knew when her dreams were upbrimming with light,
    And with laughter her eyes.

    What scenes spread around her last days,
    Sad, shining, or dim?
    Did her gifts and compassions enray and enarch her sweet ways
    With an aureate nimb?
    Or did life-light decline from her years,
    And mischances control
    Her full day-star; unease, or regret, or forebodings, or fears
    Disennoble her soul?

    Thus I do but the phantom retain
    Of the maiden of yore
    As my relic; yet haply the best of her – fined in my brain
    It may be the more
    That no line of her writing have I,
    Nor a thread of her hair,
    No mark of her late time as dame in her dwelling, whereby
    I may picture her there.

    Because I Liked You Better

    A.E. Housman (1859-1936)

    Because I liked you better
    Than suits a man to say,
    It irked you, and I promised
    To throw the thought away.

    To put the world between us
    We parted, stiff and dry;
    'Good-bye,' said you, 'forget me.'
    'I will, no fear', said I.

    If here, where clover whitens
    The dead man's knoll, you pass,
    And no tall flower to meet you
    Starts in the trefoiled grass,

    Halt by the headstone naming
    The heart no longer stirred,
    And say the lad that loved you
    Was one that kept his word

    Death by Water

    T. S. Eliot (1888-1965)

    Phlebas the Phoenician, a fortnight dead,
    Forgot the cry of gulls, and the deep sea swell
    And the profit and loss.
    A current under sea
    Picked his bones in whispers. As he rose and fell
    He passes the stages of his age and youth
    Entering the whirlpool.
    Gentile or Jew
    O you who turn the wheel and look windward,
    Consider Phlebas, who was once handsome and tall as you.

    From An Elgy for W.B. Yeats

    W. H. Auden (1907-1973)

    He disappeared in the dead of winter:
    The brooks were frozen, the airports almost deserted,
    And snow disfigured the public statues;
    The mercury sank in the mouth of the dying day.
    What instruments we have agree
    The day of his death was a dark cold day.
    Far from his illness
    The wolves ran on through the evergreen forests,
    The peasant river was untempted by the fashionable quays;
    By mourning tongues
    The death of the poet was kept from his poems.
    But for him it was his last afternoon as himself,
    An afternoon of nurses and rumours;
    The provinces of his body revolted,
    The squares of his mind were empty,
    Silence invaded the suburbs,
    The current of his feeling failed; he became his admirers.
    Now he is scattered among a hundred cities
    And wholly given over to unfamiliar affections,
    To find his happiness in another kind of wood
    And be punished under a foreign code of conscience.
    The words of a dead man
    Are modified in the guts of the living.
    But in the importance and noise of to-morrow
    When the brokers are roaring like beasts on the floor of the Bourse,
    And the poor have the sufferings to which they are fairly accustomed,
    And each in the cell of himself is almost convinced of his freedom,
    A few thousand will think of this day
    As one thinks of a day when one did something slightly unusual.
    What instruments we have agree
    The day of his death was a dark cold day.

    To an Athlete Dying Young

    A. E. Housman (1859-1936)

    The time you won your town the race
    We chaired you through the market-place;
    Man and boy stood cheering by,
    And home we brought you shoulder-high.

    To-day, the road all runners come,
    Shoulder-high we bring you home,
    And set you at your threshold down,
    Townsman of a stiller town.

    Smart lad, to slip betimes away
    From fields where glory does not stay,
    And early though the laurel grows
    It withers quicker than the rose.

    Eyes the shady night has shut
    Cannot see the record cut,
    And silence sounds no worse than cheers
    After earth has stopped the ears:

    Now you will not swell the rout
    Of lads that wore their honours out,
    Runners whom renown outran
    And the name died before the man.

    So set, before its echoes fade,
    The fleet foot on the sill of shade,
    And hold to the low lintel up
    The still-defended challenge-cup.

    And round that early-laurelled head
    Will flock to gaze the strengthless dead,
    And find unwithered on its curls
    The garland briefer than a girl’s.

    Cock Robin

    Anon

    Who did kill Cock Robin?
    I, said the Sparrow,
    With my bow and arrow,
    And I did kill Cock Robin.

    Who saw him die?
    I, said the Fly,
    With my little eye,
    And I saw him die.

    And who did catch his blood?
    I, said the Fish,
    With my little dish,
    And I did catch his blood.

    And who did make his shroud?
    I, said the Beetle,
    With my little needle,
    And I did make his shroud.

    Who'll dig his grave?
    I, said the Owl,
    With my pick and shovel,
    I'll dig his grave.

    Who'll be the parson?
    I, said the Rook,
    With my little book,
    I'll be the parson.

    Who'll be the clerk?
    I, said the Lark,
    If it's not in the dark,
    I'll be the clerk.

    Who'll carry the link?
    I, said the Linnet,
    I'll fetch it in a minute,
    I'll carry the link.

    Who'll be chief mourner?
    I, said the Dove,
    I mourn for my love,
    I'll be chief mourner.

    Who'll carry the coffin?
    I, said the Kite,
    If it's not through the night,
    I'll carry the coffin.

    Who'll bear the pall?
    We, said the Wren,
    Both the cock and the hen,
    We'll bear the pall.

    Who'll sing a psalm?
    I, said the Thrush,
    As she sat on a bush,
    I'll sing a psalm.

    Who'll toll the bell?
    I, said the bull,
    Because I can pull,
    I'll toll the bell.

    All the birds of the air
    Fell a-sighing and a-sobbing,
    When they heard the bell toll
    for poor Cock Robin.

    Lying Awake

    by Thomas Hardy (1840-1928)

    You, Morningtide Star, now are steady-eyed, over the east,
    I know it as if I saw you;
    You, Beeches, engrave on the sky your thin twigs, even the least;
    Had I paper and pencil I'd draw you.

    You, Meadow, are white with your counterpane cover of dew,
    I see it as if I were there;
    You, Churchyard, are lightening faint from the shade of the yew,
    The names creeping out everywhere.

    Coronach

    Sir Walter Scott (1771-1832)

    He is gone on the mountain,
    He is lost to the forest,
    Like a summer-dried fountain,
    When our need was the sorest.
    The font reappearing
    From the raindrops shall borrow,
    But to us comes no cheering,
    To Duncan no morrow!

    The hand of the reaper
    Takes the ears that are hoary,
    But the voice of the weeper
    Wails manhood in glory.
    The autumn winds rushing
    Waft the leaves that are searest,
    But our flower was in flushing
    When blighting was nearest.

    Fleet foot on the correi,
    Sage counsel in cumber,
    Red hand in the foray,
    How sound is thy slumber!
    Like the dew on the mountain,
    Like the foam on the river,
    Like the bubble on the fountain,
    Thou art gone – and for ever!

    Grief

    Elizabeth Barrett Browning (1806-1861)

    I tell you, hopeless grief is passionless;
    That only men incredulous of despair,
    Half-taught in anguish, through the midnight air
    Beat upward to God’s throne in loud access
    Of shrieking and reproach. Full desertness,
    In souls as countries, lieth silent-bare
    Under the blanching, vertical eye-glare
    Of the absolute heavens. Deep-hearted man, express
    Grief for thy dead in silence like to death—
    Most like a monumental statue set
    In everlasting watch and moveless woe
    Till itself crumble to the dust beneath.
    Touch it; the marble eyelids are not wet:
    If it could weep, it could arise and go.

With Grace